Tag Archives: Anne Bossert

Commissioned Art: Planning in Partnership, Letting Go with Trust

Commissioned art by Anne Bossert

Commissioned art by Anne Bossert fills what used to be a problem area of this room.

Sometimes I have a bee in my bonnet when there’s something about my home that’s not quite right but I can’t figure out what to do about it.

That was the case in July of 2014, when I worked with Anne Bossert to prepare the second post of “Handmade on the Front Range.” I had met Anne, a fiber artist and furniture maker, on the Fort Collins Studio Tour in June. A month later we went through what has become the usual interview, then follow-up questions, and finally fact checking. The post went up on the web on August 13 and readership went stratospheric for a day.

While I tried to stay focused on upcoming posts, the bee in my bonnet kept stinging me. What if I had Anne make a textile to fill the long, high bare wall that had been annoying me for the three years that I had lived here?

I wanted to kill this bee as soon as possible. Before August ended I popped the question. “Anne, would you have time in your schedule to make me a wall hanging?”

Planning a Piece that Pleases

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Do You See What I See?

Great Pyrenees guard dog with Jacob sheep owned by Mickey Ramirez

Little Chief, a Great Pyrenees, watches over Jacob sheep owned by Mickey Ramirez and John Pierson.

It’s Christmas Eve 2014, and Little Chief, a Great Pyrenees, is watching over a flock of 15 Jacob sheep by day and night behind the home of Mickey Ramirez and her husband John Pierson. By the time the new year is well under way, the sheep will have eaten the needles off of at least one live Christmas tree. Mickey, who makes felted hats from the wool of her sheep, was featured in a post on November 19.

Here are a few more photos you haven’t seen that date back to previous posts.

Ceramic bowl by Chris Wolff

This ceramic bowl by Chris Wolff was broken purposely, spray painted, and glued back together.

Chris Wolff discovered that he could carefully break a fired piece of pottery, spray paint the pieces, and glue them back together to create a totally new look in pottery. He covers the interior with a waterproof coating. Chris was featured in a post in August, the first month that “Handmade on the Front Range” appeared on the web.

Functional ceramic bowl by T.S. Berger

A ceramic bowl by T.S. Berger can be used every day for food preparation and serving.

When I think about how a bowl like this spins on a wheel while the potter lets the clay pull up through his hands, I marvel at how even the sides are and how perfect the circle. T.S. Berger loaned me this bowl for photographing my scone-making earlier this month. Today you can see what the whole bowl looks like.

Cutting board of maple, cherry, and walnut by Mike Wilkinson

Mike Wilkinson of Fort Collins created this cutting board from cherry, walnut, and maple.

Mike Wilkinson loaned me this cutting board for the same post in which I used the bowl by T.S. Berger. A goal of mine for 2015: finding out how you make curved pieces of wood fit together perfectly with a smooth finished surface. When I find out, I’ll share the answer with you.

Neither Mike nor T.S. knew me before they loaned me their work. I’m always impressed by how artisans support each other in a business that could be fiercely competetive. In this case, I personally benefited from that spirit of cooperation. Thank you, Mike and T.S.

Glass bowls by Dottie Boscamp cool in a kiln.

Glass bowls newly blown by Dottie Boscamp cool gradually in a kiln.

Dottie Boscamp reduced the oxygen flow to her furnace (called a glory hole) while she was making the solid-colored glass bowls above. The increased concentration of carbon dioxide caused the silvery edges — although they look as if they have been touched with sterling silver. Dottie’s work appeared in a post in September.

Stuffed toy fish by Pat Abbitt

Pat Abbitt of Broomfield, Colorado, created this stuffed fish using quilting techniques.

Pat Abbitt’s use of color adds immeasurably to the quilted stuffed animals that she offers under the name Its A Zoo. I’ve enjoyed seeing some of her latest creations by following Its A Zoo on Facebook. Its A Zoo was featured in a post on September 24.

Art of Laura and Rick Bachman at Show of Hands, Denver

Show of Hands, Denver, offers the humorous work of Front Range artisans Laura and Rick Bachman.

Laura and Rick Bachman use animals and color to elicit smiles too, often using barnyard humor. Show of Hands in Denver (featured on November 12) had several of their clocks and pullies on display when I was there.

Sample colors of wood for projects by Anne Bossert

Anne Bossert keeps a supply of wood scraps for color samples her customers may choose from.

Anne Bossert, furniture maker and fiber artist, keeps a box of wood scraps to show customers some of the colors they could choose from. Anne and I collaborated on planning a project this year, and Anne carried out our planning with highly successful results. That project will be what you see here first in the new year. Anne was originally featured in the second post of “Handmade on the Front Range.”

If the holiday season has kept you too busy to read every post, you’ll have a chance to catch up next week. I’ll provide you with a summary of and links to all the blog’s posts in 2014.

Happy holidays!


Handmade Furniture Takes a Woman’s Touch at Anne Bossert’s Studio

Furniture by Anne Bossert

The same dye that colors Anne Bossert’s textiles brings stunning color to birch, maple, and other woods she uses. (Photo by A. Bossert)

When I started planning “Handmade on the Front Range,” I wondered what I would say about artisans who work with wood. That’s a “guy thing,” right? Bulky equipment, saws, sawdust . . . What would interest female readers?

One of the joys of meeting artisans and learning about their work is having my preconceived ideas blown away. That’s what happened when I met Anne Bossert, fiber artist and furniture maker, on the Fort Collins Studio Tour.

Anne’s studio lies on the northeast side of Fort Collins, in one of the practical, no-nonsense-looking buildings a few blocks north of Mulberry Street. Not exactly the place where I would expect someone with artistic sensibilities to hang out.

Any skepticism evaporated the moment I walked inside. At the far end of Anne’s meticulously cleaned workshop stood three tables that made me gasp. Let me show you why. Continue reading